I Am Mother Movie Review Essay Example

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I Am Mother Movie Review Essay Example

I Am Mother Movie Review Essay Example

We are concerned about robots taking over our work, but how much more disturbing is the possibility of robots taking over our essential family roles, including mothers? I Am Mother’s script was the Sundance Film Festival (where Netflix picked it up). In its essence, this film is about the damnation of prescribing motherhood as an expected role. How telling a woman, she must love and nurture without hesitation can lead them down a dark path.

The film’s plot is simple enough; after a mysterious extinction phenomenon leaves the outside world decimated, a robot (Rose Byrne) tasked with raising thousands of human embryos chooses to raise a single subject as her child. Known only as Mother and Daughter (Clara Rugaard), the pair grow a special bond as Daughter develops into a brilliant and gifted teenager. The mother states she will awaken the other embryos when the Daughter is ready to help raise them.

Their idyllic existence is threatened when a mysterious outsider (Hilary Swank) comes knocking on the door, revealing that the world outside is not what Mother made it out to be. Daughter as she navigates the power struggle between two potential mothers: one is offering safety and self – actualization, the other promising freedom and companionship, and both are telling half-truths about their motivations. Enterprising audiences can also seek more profound lessons in the story of what being a good parent entail. All these juicy ideas in the movie are supported by the movie’s futuristic yet claustrophobic set design, which includes the director, the script, and the movie’s production design.

Ever watched Terminator 2? or Cloverfield Lane? Well, I Am Mother is concerning those two and ten other sci-fi films simply because the original story pulls heavily from every sci-fi trope in the bag. While Clara Rugaard delivers an impressive lead performance, director Grand Sputore handsomely crafts the film for the screen. According to Metacritic.com, I Am Mother was number 74 among the most shared movies of 2019 and 47 among the most discussed movie of 2019. When I first watched the new Netflix film, I Am Mother, I assumed that the robotic mother was a CG creation.

How else could you create a robot that looked so inhuman and could run around the film’s post-apocalypse environments gracefully? However, in a bonus interview for the original Content Podcast, director Grant Sputore estimated that 99 percent of the shots of the mother are efficient, consisting of nothing more than a person wearing a “fancy bit of custom” I Am Mother grabs the attention of no other robotics versus human film. However, the three-female lead performances in the film give this movie the gravitas it needs.

Rugaard portrays Daughter with a disturbing degree of autonomy- her gestures, attitudes, and social interactions are essentially robotic (due to being raised by a robot, of course). Assuming that robots are intelligent and have very high intellectual skills, the way they portrayed the Daughter to be you would believe that she is a robot but with the appearance of a human.  The Daughter has been trained in advanced engineering and medical skills, as well as the intricacies of moral philosophy.

The film opens with the mother breaking open an egg and birthing the first of those stored humans, followed by a bravura opening sequence as we see the mother nurture the little egg from howling baby to giggling toddler to a curious child, all in the space of the opening credits. It boldly sets the tone for just how brilliant this movie is and how well thought out the world of the bunker is. Shot in an ominous gray and scarlet palette, the bunker is a closed-off location bursting with Drama. Writer Michael Lloyd Green and director Grant Sputore wring tension from the shut-in situation. Is mother the nurturing figure, she says?

What is outside? Moreover, how will the mother react if her Daughter turns against her? The script is well organized and attractively unique in how the director puts together a more diverse outlook on robots. We tend to see robots in other movies as the bad guy or the ones who destroy everything. In this scenario, Mother is considered a good robot who wants to change humanity and raise humans into highly intelligent and skilled in all areas. At the beginning and mid-scene mother is seen using her teaching and mentor ethics on her Daughter so she can make sure the Daughter turns out to be suitable for the next generation

I Am Mother exudes visual sophistication – especially with its intriguing and well-suited production design. Simple yet highly effective are its remarkable effects. Mother’s design and movements are unnerving but also comforting—matched with the calming voice of Rose Byrne, the audience should give her their faith. The technical elements of this film come together efficiently and cohesively. The visual contrast between the moral and artificial is subliminally executed.

Many tend to reject any ending where sound does not win, which is the best thing about the film. The thing that makes it more than just a smashing production design portfolio or a series of things that happen. (it seems the Daughter is not the first Daughter that the mother has messed up.) It also acknowledges the relative impossibility of humans defeating an upper strong super-intelligent robot army they created. Now the “Daughter” of the creature contemplates triggering the embryos themselves, probably becoming the matriarchal ruler of her nation-state, one that could be able to oppose the robots that once tormented her kind.  It also gives the mother (robot) human mother-like instincts towards the Daughter.

We see their mother hugging, cradling, and teaching her to read. Despite the director’s unironic approach, it is hard not to consider an inherent cynicism at play; swapping a human mother for a robot changes everything. The way the movie sets up and pays off its last ten minutes seems like an invitation to dream and plan, which is what real science fiction (as supposed to science fiction and horrors) does best. Fans of Ex Machina and other cerebral sci-fi movies will find another favorite here.

The lead actress makes a stunning debut and carries the film, with Hilary Swank in a supporting role. The film constantly has you changing allegiances, unsure of whom to trust. The Final results then become super satisfying. According to the Los Angeles Times (This film engages and challenges the audience throughout, raising questions about the relationship between humanity and the technology we rely on. It is an exciting film to watch, but an even better one to think about after. (Noel Murray, Los Angeles Times June 20, 2019).

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